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2024
Works
Recent works
Studio
2024
Works
Opus no. 8
Studio
2024
Works
Opus no. 9
Studio
2024
Works
Opus Series
Studio
2023
Exhibitions
LL Interspace: HOTPOT
Galerie KUB
2023
Works
Composition no. 3
Studio
2023
Works
Composition no. 2
Studio
2023
Works
Composition no. 1
Studio
2023
Works
The New Altar no. 4
Studio
2023
Works
The New Altar no. 3
Studio
2023
Exhibitions
Ketterer Kunst Masterclass Preis 2023
Ketterer Kunst
2023
Works
The Absurd Dance no. 3
Studio
2023
Works
The Absurd Dance no. 2
Studio
2023
Works
The Absurd Dance no. 1
Studio
2023
Exhibitions
Table of Contents
Bistro 21
2023
Works
Instant Crush
Studio
2023
Works
Drawing Set for Study no. 1
Studio
2023
News
Open Studio: L’air Arts Paris
Cité Falguière
2023
News
Residency: L’air Arts Paris
Cité Falguière
2023
Works
Life no. 1 & no. 2
Studio
2023
Works
Sigil no. 1
Studio
2024
Texts
Dancing in the Pandemic Blues: The significance of Musical Optimism in Times of Crisis.
Publication
2022
Works
Tacet and the Portrait of a Headless
Studio
2022
Exhibitions
Just Rolllllll
documenta fifteen
2022
Works
The Circle of Love
documenta 15
2021
Exhibitions
Between Strangers
Nuweland Gallery
2021
Exhibitions
Investec Cape Town Art Fair 2021
CTICC
2021
Exhibitions
11:11
Eclectica Contemporary
2020
Exhibitions
Peepshow
Online
2022
Exhibitions
Neighbours / Des Voisin.e.s
Cité Falguière
2020
Works
Bearing Between the Wheel and the Cycle
Studio
2020
Exhibitions
Art Rotterdam
Rotterdam
2019
Press
Two artists use video and sculpture to explore perceptions of history and memory
Design Indaba
2019
Exhibitions
Satellites
Suburbia Contemporary
2019
Press
Kyu Sang Lee
SA Art Times
2019
Exhibitions
Investec Cape Town Art Fair 2019: SOLO Section
CTICC
2019
Press
Spotlight on Investec Cape Town Art Fair 2019
Artthrob
2019
Press
Restful Moments: Cape Town Art Fair’s SOLO exhibition
The Art Momentum
2019
Press
Artist to Shine at the Art Aair
News24
2019
Press
Investec Cape Town Art Fair 2019 champions emerging artists and digital practices
Bubblegum Club
2019
Press
10 Reasons To Come To Investec Cape Town Art Fair In 2019
Africa.com
2019
Works
The Sound of Light: Sequences I-III
Studio
2019
Exhibitions
Still Here Tomorrow to High Five You Yesterday
Zeitz MOCAA
2018
Press
The Structured Surrealism of Kyu Sang Lee
The Art Momentum
2018
Exhibitions
Also Known As Africa
Le Carreau du Temple
2018
Works
A Motif for Thrity Two Irregular Orbits
Studio
2018
Works
Photographs in Twelve Parts
Studio
2018
Exhibitions
Throwing Shapes
SMITH Studio
2018
Exhibitions
nano 1.2
Barnard Gallery
2018
Works
ein kleines Nachtfoto No.2
Studio
2018
Works
ein kleines Nachtfoto No.1
Studio
2018
Exhibitions
Stop Stop Click
Eclectica Contemporary
2018
Exhibitions
Investec Cape Town Art Fair 2018
CTICC
2017
Exhibitions
Salad
SMITH Studio
2017
Exhibitions
SS17
Gallery MOMO
2017
Press
SS17 at Gallery MOMO
Artthrob
2017
News
Kyu Sang Lee wins a Celeste Prize
University of Cape Town
2017
Exhibitions
Celeste Prize 2017, 9th edition by Fatoş Üstek
OXO Tower Wharf
2017
Works
Cry When Flowers Fall in the Morning
Studio
2017
Exhibitions
Turbine Art Fair
Turbine Hall
2017
Works
Matisse and the People of the Night
Studio
2017
Works
Dancing Along Alone
Studio
2017
Exhibitions
Be Kind, Please Rewind
Gallery MOMO
2017
Exhibitions
Marked
Eclectica Print Gallery
2017
Works
Still-life with Three Suspended Bodies
Studio
2017
Exhibitions
Paradise Regained
Eclectica Contemporary
2016
Works
The Festival of Insignificance
Studio
2016
Exhibitions
Meditative Moments
Müllers Gallery
2016
Exhibitions
By Way of Hand
Cape Town School of Photography
2016
Exhibitions
Focus
Jan Royce Gallery
2014
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From Now to Then
Studio
Contact
Phone(De) : +49 176 43229331
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Dancing in the Pandemic Blues: The significance of Musical Optimism in Times of Crisis.
Texts
2024
Publication

In the shadow of the global upheaval caused by the COVID-19 pandemic, the role of music as a source of comfort and optimism has never been more pronounced. The year 2020, marked by isolation and uncertainty, witnessed the release of two significant albums - Lady Gaga's Chromatica and Kylie Minogue's Disco. These two albums, radiating with sheer optimism and hope, piercing through the Pandemic blues that swept 2020, continue to hold relevance today and provide a musical sanctuary for millions worldwide. Their messages of resilience and joy in the face of adversity have not only provided solace during the pandemic but continue to inspire and uplift in the present day.

Lady Gaga's Chromatica was more than just an album; it was a journey through adversity towards healing. Released during a period when the world was grappling with unprecedented challenges, it provided a soundscape that was both an escape and a companion in solitude. The album's vibrant electropop and futuristic stylings were a stark contrast to the somber mood enveloping the globe. Tracks like Rain On Me, a collaboration with Ariana Grande, became anthems of resilience, offering a message of hope and strength amidst the chaos. Gaga's exploration of her mental health struggles in songs like 911 and Replay resonated with a global audience facing similar internal battles, making Chromatica not just a musical release, but a shared experience of finding light in darkness.

Similarly, Kylie Minogue's Disco harkened back to an era synonymous with joy and liberation. Its release was a timely reminder of the power of dance and music in fostering a sense of community and togetherness, even when physically apart. The album's seamless blend of classic disco elements with a modern twist provided a much-needed escape route from the pandemic's grim realities. It created a virtual dancefloor where anyone could step in and forget, even momentarily, the troubles of the outside world. Tracks like Magic and Say Something were not just songs but invitations to a world where optimism reigned supreme, and the pandemic's weight could be shed through the act of dance.

The ongoing relevance of these albums extends beyond their immediate release context. As the world continues to navigate the aftermath of the pandemic and the new challenges that arise, the optimism in Chromatica and Disco remains a source of strength and inspiration. They remind us that music has the extraordinary ability to transcend barriers, soothe souls, and inject optimism into the bleakest situations. These albums have shown that optimism in music is not just a form of escapism, but a tool for resilience and healing.

The pandemic has been a testament to the human spirit's endurance, and these musical works have played a pivotal role in this narrative. They have helped people cope with isolation, provided a sense of normalcy in abnormal times, and offered a communal experience in a period marked by social distancing. This kind of sheer optimism in music is not only relevant during the hard times but is also essential in shaping our collective response to adversity.

The significance of optimism in music, as exemplified by Lady Gaga's Chromatica and Kylie Minogue's Disco, cannot be overstated. These albums are not mere collections of songs but are historical markers of resilience and hope in one of the most challenging periods of modern history. They stand as reminders of the enduring power of music to bring light into our lives, regardless of the darkness that surrounds us. As the world moves forward, the messages of optimism and strength in these albums will continue to resonate, proving that music is, indeed, a universal language of hope.

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