Believe In the Moment
Single channel video and audio
Size variable

Believe in the Moment (2021) reflects on the concept of personal space through a medium of language, or so-called an intermediate state of a language that has no functional character. The collated footage in the work, possibly depicting the scenes inside military bases in Korea, is dataised and composed into a chromatic graph due to the sensitive nature of a militarized zone. The "visible" footages behind the graph are found online and do not correlate with the synchronised graph.
This visual yet non-linguistic language is an exploration of a place where the concept of personal space is eradicated by far grander discourse carried out by institutional power.